Tag: African American literature

  • Duolingo to Doctoral Journey

    Duolingo to Doctoral Journey

    My aunt and I were discussing our Duolingo progress the other day. She is studying Spanish, and I’m studying German, and neither of us is anywhere near fluency, despite impressively long daily streaks.

    I like Duolingo for what it is. It’s a fun social app that challenges me to learn a new language. I’m not expecting to gain fluency from it. I’m expecting to learn a little German. To gain fluency, I would need to spend time working on German with other people, especially people fluent in German.

    And if I had my druthers, I’d sit and talk with Dr. Georgiana Rose Simpson, the first Black woman to earn a Ph.D. in the US. She earned her doctorate in German in 1921 from the University of Chicago, at the age of 55. Fifty-five! She is proof you are not too old to follow your dreams. I won’t dive into her fascinating story today, but I encourage you to check it out here.

    What I will dive into is contemplating how difficult it had to have been for Dr. Simpson. Earning a doctorate is difficult under the best of circumstances. Earning one during the Jim Crow era had to have been unspeakably challenging. Yet she persevered.

    I wonder who supported her on her doctoral journey. I wonder what strategies she used. I wonder who she cried with when the road seemed impossible. I wonder what wellsprings of strength existed inside of her.

    And I wonder what it was like for her to be one of the first Black women on this doctoral journey. Two other Black women also earned Ph.D.’s in 1921–Dr. Sadie T. M. Alexander (the first National President of Delta Sigma Theta Sorority, Inc.) in Economics from the University of Pennsylvania and Dr. Eva B. Dykes (another member of Delta Sigma Theta Sorority, Inc.) in English from Radcliffe College. All three women graduated in June 1921, within days of each other

    I know what my doctoral journey was like. I felt alone and in the dark about many things. I earned my Ph.D. in English in 2009, 88 years after the first trio of Black women to do so, but I wonder if they felt much like I did. I wonder if they had anyone to talk to who really understood what they were going through. I think we too often travel this journey alone when we don’t have to.

    So if you are a Sistah on the Doctoral Journey, please know that you don’t have to travel alone. I’m here to support you and bear witness to all that this journey is for you.

    And I’m here to offer a little help. I’ve been helping people on their doctoral journeys for years, and I’ve created a workbook of strategies and coaching questions to help you navigate your own journey.

    Please click to purchase 10 Strategies for Navigating Your Doctoral Journey + Coaching Workbook. And leave a comment to share how the stories of these Black doctoral pioneers resonate with you.

    Onward.

  • Cultural Custodian

    Cultural Custodian

    Hello!

    How are you? I pray you’re well.

    I’m doing fine and dandy, thank you very much.

    Last time I wrote, I mentioned I’ve come to consider myself a cultural custodian for black women, and I promised I’d elaborate on that idea.

    Lately I’ve pondered a lot about my career, and what I love to do, and what I love to read, and who I like to serve, and so many things pointed to black women. I’m a black woman, and I love that. I love my skin and my hair and my culture. I’ve even learned to love things like having to work harder for half as much and consistently being underestimated when I walk into a room. I don’t love that those things are reality; rather, I love that through them I’ve learned strength and compassion.

    I seek out and surround myself with black women. I read books by and about black women, particularly historical black women. I care about what concerns us. And through LELA House, I find my work connects to protecting our hearts, expanding our joy, and highlighting our voices.

    All of this led me to consider myself a cultural custodian of black women. Obviously I looked up many definitions and connotations of cultural, custodian, and cultural custodian. Who would I be if I didn’t look up definitions? šŸ™‚

    Many definitions included the ideas of preserving, maintaining, safeguarding, and promoting the traditions, practices, values, and narratives of a culture. I find all of those ideas valuable and accurate as they relate to my work at LELA House. Through book coaching, writing coaching, and self-care services, I do, indeed, strive to preserve, maintain, safeguard, and promote the traditions, practices, values, and narratives of black women. One definition of cultural custodian, from “The Custodian: Introduction: The Custodian and the Significance of Art Preservation” in the November 13, 2023 issue of Selections Magazine, added some nuance that particularly struck a chord with me.

    “In the world of art, the custodian plays a pivotal role in the protection, curation, and promotion of artworks and collections. Whether an individual or an institution, custodians shoulder the responsibility of ensuring that these artistic expressions remain intact for future generations. Their role extends beyond mere preservation; it encompasses a commitment to making art accessible, fostering an understanding of its historical and cultural context, and supporting the broader appreciation of artistic endeavors.ā€

    Resonating the most with me is the idea of black women ourselves, not solely the creative works we produce, as art. My take on the quotation becomes the following.

    In the world of black women as masterpieces, the custodian plays a pivotal role in the protection, curation, and promotion of individual black women and us as a collective. Whether an individual or an institution, custodians shoulder the responsibility of ensuring that black women’s narratives remain intact for future generations. Their role extends beyond mere preservation; it encompasses a commitment to making black women’s stories accessible, fostering an understanding of their historical and cultural context, and supporting the broader appreciation of black women, our experiences, and our creative expression.

    And yes, that is work I want to do.

    Why do I care so much about our stories from the long US 19th Century and supporting those who tell them? Because mere preservation isn’t enough; our stories must be accessible to foster an understanding of our historical and cultural context. Why do I care about our stories from other historical eras and supporting those who share them? Because our narratives must remain intact for future generations. Why do I care about our joy and well-being and supporting black women as we incorporate these things into our lives? Because we must support the broader appreciation of black women, our experiences, and our creative expression. Why do I consider myself a cultural custodian for black women? Because we are masterpieces who must be protected and promoted as individuals and as a collective, and God created me to serve in that role.

    God has been leading me to work as a cultural custodian for black women for my entire life. From my high school acts of civil disobedience to pledging my sorority to adventuring with my mother, to being outraged at discrimination in a library, I’ve spent 30+ years serving as a cultural custodian for black women without knowing that was what I was doing.

    But I know now. Let’s see where God will take me.

    Until next time!

  • Reading with Roshaunda is Moving to Substack

    Reading with Roshaunda is Moving to Substack

    As you know, I do recorded readings of 19th Century US literature by and/or about black people. I’ve started to do those readings on Substack.

    I decided I wanted a space to explore all of my 19th Century literature ideas in one place, and I didn’t think that place was LELA House. I think it’s LELA House adjacent, but it’s separate enough that I thought I’d try a different platform.

    So on my Substack, you will find my recorded readings, and you’ll also find my musings. I talk a lot in my videos about ideas I have, so now I’m writing about some of those ideas on Substack.

    Please head over to Substack to check it out and sign up to receive all my new posts.

  • The Escape by William Wells Brown, Act 1, Scenes 3-4

    The Escape by William Wells Brown, Act 1, Scenes 3-4

    I have a Youtube playlist where I read aloud from 19th Century American literary texts, and I thought I’d share those here. In addition to reading the texts, I add my own commentary and analysis. I hope you enjoy them.

  • The Escape by William Wells Brown, Act 1, Scenes 1-3

    The Escape by William Wells Brown, Act 1, Scenes 1-3

    I have a Youtube playlist where I read aloud from 19th Century American literary texts, and I thought I’d share those here. In addition to reading the texts, I add my own commentary and analysis. I hope you enjoy them.